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The Dream Weavers
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THE DREAM WEAVERS
Barbara Erskine
Copyright
Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published by HarperCollinsPublishers 2021
Copyright © Barbara Erskine 2021
Cover design by Caroline Young © HarperCollinsPublishers Ltd 2021
Cover photographs © Christophe Dessaigne/Trevllion Images (central image); Shutterstock.com (birds and border)
Barbara Erskine asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008195861
Ebook Edition © March 2021 ISBN: 9780008195885
Version: 2021-04-20
Dedication
For Sue
wisewoman and house healer
Contents
Cover
Title Page
Copyright
Dedication
Map
A note on Anglo-Saxon names
Glossary
The Story Starts
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Author Note
Keep Reading …
About the Author
Also by Barbara Erskine
About the Publisher
Map
A note on Anglo-Saxon names
These have been transcribed in so many ways from the original script which contained letters unfamiliar to us that there are almost as many variations in spelling as there are authors who write about them. I have selected what I personally consider to be the simplest choice.
The main Anglo-Saxon characters in this book are:
Offa (King of Mercia from AD 757–796)
Cynefryth, Offa’s wife, Queen of Mercia
The daughters of Offa:
Ethelfled, in my story is the eldest
Alfrida is the middle daughter
Eadburh (pronounced Edber) is the youngest
Other historical characters in the story:
King Charles of the Franks, who in AD 800 was crowned as Emperor by the Pope and is better known to us as Charlemagne
Beorhtric, King of Wessex AD 786–802
Ethelbert, King of East Anglia d. AD 794
Ethelred I, King of Northumbria, d. AD 796
Nesta, the herb woman, is fictional
Elisedd, Prince of Powys (pronounced Eleezeth) is also fictional, depicted here as the youngest son of the real King of Powys, Cadell ap Brochfael (c. AD 773–808)
Offa also had a son and heir, Ecgfrith, (d. AD 796) who is only mentioned off stage in the story. In a few sources Offa is shown to have had a fourth daughter, Ethelburh. There is little mention of her and some sources suggest she has been conflated or confused with another woman of the same name, who became an abbess at that period. I have not included her in the story.
For more about the real history behind this story see the Author’s Note at the end.
Glossary
Abad
Welsh for Abbot
Calan Mai
Welsh for May Day
Cariad
Welsh for sweetheart, darling
Clas
An early Welsh monastic community
Hafod
Welsh term for a shelter in the high summer pastures
Praefectus
Latin term used by Bede to describe a thegn or prince, next in rank to the king
Scop
Old English for poet or bard
Thegn
Noble retainer of an Anglo-Saxon king
Teulu
Welsh king or prince’s household or followers (literally family)
Tylwyth teg
Welsh fairies
Tywysog
Welsh for prince
Witan
Council of the Anglo-Saxon kings
The Story Starts
‘Elise!’
There she was again. Wretched woman! Calling. Endlessly calling.
With a sigh, Simon Armstrong slammed down the lid of his laptop and stood up. His train of thought had vanished. He walked across the room and dragged open the front door. He didn’t expect to see her. So far he hadn’t caught even a glimpse of her, but he had to try. The first time he heard her, he thought it was someone calling their dog out there in the dark, but the more he listened, the more desolate and desperate the cry sounded. He could hardly sit there and ignore it.
The isolated holiday cottage was situated below a high ridge on the border between England and Wales, near part of the overgrown ditch which was all that remained in this part of the world of the famous Offa’s Dyke. The house was small and picturesque, stone-built, with roses climbing over the porch, blessed with every modern convenience, everything he had hoped for when he had booked it online. With its huge, solid but slightly crooked stone chimney, the main front windows, two up and two down, and the blue door with its wooden porch, it resembled a child’s picture of a little house in a fairy story. Outside, an uneven flagged terrace was bounded by a low stone wall and beyond that a lane led up to what must be one of the most stunning views in Britain. From there he could see the Mid Wales hills of the Radnor Forest, the distinctive outline of the Brecon Beacons, the Black Mountains, and behind him, on the English side of the border, the Malvern Hills and eastwards towards the Shropshire Hills.
But no sign of Elise. Whoever, whatever, she was.
He went back indoors, closed the door and with a shiver walked over to the fireplace. Bending to put a match to the kindling piled in the hearth, he stood and watched as the flames raced across the dry twigs and he felt the first warmth. It was
springtime at its most beautiful, glorious during the day, but at night a chill descended on the house, reflecting the fact that it was over a thousand feet up on this lonely, wild hillside. But it wasn’t just that making him shiver.
He made it clear to Christine, the cottage’s owner, that he had come here to find the peace and seclusion he needed to finish writing his book, ever conscious of his impending deadline, but since the first day he had opened his laptop and, coincidentally, begun work on the chapter about Offa’s Dyke, the voice had been there, calling.
That night she came again. He woke with a start, conscious only of the sound of her voice so close outside and of the absolute emptiness of the cottage. Sitting up, he stared round the bedroom in the dark as downstairs she began to bang on the front door. She was sobbing bitterly.
Turning on the lights as he went, he ran down the stairs and dragged the door open. No one. Stepping onto the terrace, he shouted into the cold mist, trying to see her, but there was no sign of anyone there; nothing but the empty swirling whiteness.
He waited until morning to ring his landlady. It wasn’t only the physical chill of the place. It was that the cold went right through his bones to his very soul. This had to be sorted.
1
Bea arranged to meet Simon in one of her favourite coffee shops in Church Street, almost in the shadow of the cathedral, round the corner from her home. They had never met before, but she spotted him at once, hesitating in the doorway, looking round. His glance swept over her, moved on, then came back. She wondered what sort of person he was looking for. The one he saw was a woman of middle height, her hair wavy, mid brown, no make-up, but undeniably attractive, with clear skin and large grey-green eyes. She raised a hand and he nodded, threading his way between the tables towards her.
She half expected him to be embarrassed. People usually were when they talked about ghosts; embarrassed or dismissive or scared, but he seemed calm and humorously resigned.
‘Mrs Dalloway?’
‘Beatrice, please. Or better still, Bea.’
He smiled. ‘I’m Simon.’
The waitress brought their coffee and Bea studied him surreptitiously as the girl set out their cups. He was tall – he had had to bend his head beneath the low beams as he crossed the room – with a hearty outdoor complexion, a sturdy tweed jacket, tousled blond hair and hazel eyes. If she hadn’t known better, she would have had him down as a local farmer, certainly not the London academic Chris had described. Age: indeterminate. Probably much the same as her.
‘I expect Christine has filled you in on my problem,’ he said when the waitress had gone. ‘When I rented the cottage, she never mentioned a ghost.’
Bea found herself grimacing. ‘I don’t think, to be fair, she knew there was one.’
Chris, one of Bea’s staunchest and best friends, had bought the small tumbledown building several years ago. With the help of her husband, Ray, she had done it up to be the most perfect retreat.
‘I have heard a great deal about her tenants over the years, and as far as I can see if they find anything at all to gripe about in what must be one of the loveliest holiday lets in the country, a ghost has never been one of them. So, what makes you think there is one?’
He pushed the milk jug towards her. ‘I don’t. That was her idea.’ He gave a sudden grin. It lit up his hitherto rather solemn face. ‘When she couldn’t think of any logical explanation for the voice I’ve been hearing, it was the only thing she could suggest. Being the perfect landlady, she knew at once who to turn to. I could hardly offend her by telling her it was a ludicrous idea. I take it you know the cottage?’
Bea nodded. ‘I’ve been there a few times.’ She was trying to suppress her sense of excitement. She was intrigued.
‘And you didn’t ever feel anything amiss when you were there?’
‘No, but then I wouldn’t necessarily have done so. I wasn’t looking for a problem.’ She thought for a minute. ‘I’m not sure if you know anything about my rather unusual job, Simon, but presumably Chris filled you in, or you wouldn’t be here. I don’t walk around the town seeing ghosts wherever I look, all touchy-feely and other-worldly. Nor do I do exorcisms. There is a very competent deliverance team here in the cathedral who will help you if that is what you require. Or there is a psychic Druid who lives over in the Black Mountains beyond Hay who can perform an equally good service if you choose to take that route. I trained with him myself a few years back. I myself work as a freelance practitioner.’
For a moment he looked dumbfounded. ‘So, what do you do exactly?’ he asked at last.
The touch of amused scepticism in his voice brought her up short. Taking a deep breath, she reined in her enthusiasm. ‘I deal with situations that other people consider frightening: the darkest corners of old houses, the sudden banging of doors, the creak of floorboards, the shadows thrown on a wall from an unseen presence. I go to houses that are uncomfortable, find out why and remove the irritant. It may indeed be a ghost,’ she glanced up at him with a rueful smile, ‘but often it’s no more than a draughty corner, or it may be something in the underlying geology of the land; it may be something simply sorted by what people call feng shui; it may be underground water or an unhappy tree or an unfortunate choice of wallpaper, or sometimes merely a difficult neighbour.’
She had spent years training to deal with whatever arose, to rule out the obvious, to produce a screwdriver, to ring a plumber and, occasionally – very occasionally – to speak to lost souls, to reassure the newly departed and guide them gently on their way, to work with shadows and echoes and re-enactments from a past not as long gone as it should be.
He rubbed his face with his hands and stared at her in mock despair. ‘Wow! Well, it isn’t the wallpaper, I can tell you that much. And I checked with the neighbouring farm this morning and they have no animal, lost or otherwise, of any description, called Elise or indeed anything else. But a ghost?’ He heaved a deep sigh. ‘Rational people don’t actually believe in ghosts, surely?’
So, why on earth had he bothered to come to meet her? This wasn’t the first time she found herself regretting the day she had confided her interest in the paranormal to Christine.
‘OK.’ She paused. ‘Well, we’ll leave it as something to consider once all the other explanations for your visitor have been ruled out. But I would ask you to be open-minded if you can. Sadly, the response of most people to supernatural happenings they can’t or won’t accept, or situations they find frightening, is to mock.’ She was watching his face, so far studiedly neutral, and was pleased to see him wince as she used the word. ‘Let’s say, for me these things are real. I am lucky enough to be one of those people who are able to access that world and discern what is causing the imbalance that is making a place uncomfortable, or if something is wrong, contact the beings involved and help them find peace.’ She gave him what she hoped was an encouraging smile.
‘Well, that’s me told! And I thought you looked quite normal.’ He reached for his coffee. There was a brief pause. ‘Sorry. That wasn’t meant to be as rude as it sounded. OK. Here’s what’s happening. Let’s see what you make of it. I rented the cottage to give myself a few months’ peace. As I expect Christine told you, I’m an author.’
She nodded. Several would-be authors had found their way to Chris’s cottage over the years. Presumably they thought the isolated position, the uncertain internet connection, the dark skies and stunning views would inspire them.
‘I am writing a history of the Anglo-Saxons,’ he went on. ‘The Anglo-Saxon kingdom of Mercia to be exact. I have already written about the kingdoms of East Anglia and Wessex. This is volume three of seven. I have formed a habit of renting a cottage on-site, as it were, when I am on my final draft, to make sure I have an authentic feel of the area I’m writing about and be near local museums and suchlike. I live in London and I have two teenage kids. Peace is at a premium, so that idea works for me. My last two writing retreats were in Suffolk and the New Forest. I saw thi
s cottage online and it seemed ideal. Right on the border between England and Wales – or in my book, between Mercia and Powys – and I was beguiled by the place’s charm in the pictures.’
She was studying his face closely and he looked away, uncomfortable under her scrutiny.
‘At first I assumed the voice belonged to a real person, obviously,’ he hesitated, then went on, ‘I still do, to be honest. I assumed Elise was her lost dog, or perhaps a child. But not again and again. If it was a child missing there would be people looking, police, search parties, helicopters, … but now,’ his voice trailed away. ‘But now, OK, I admit it, I’m not so sure she, the voice, is real. If it was, I would at least have caught a glimpse of the woman by now. I’ve tried hard enough. But Christine assures me it isn’t the wind or the water pipes or any of your other candidates for weird noises. I rush outside when I hear her, and I call out to her.’ He raised his eyes from his cup and held her gaze. ‘And,’ he hesitated, ‘I acknowledge I do feel uncomfortable when I hear her. Cold. And her voice is odd. It comes from far away.’ He looked down into his cup again. ‘Once or twice she’s banged on the door in the night. When I open it, there’s no one there.’
There was a short silence, broken only by the sound of soft, murmured conversation at the other tables.
‘I’m a rational man,’ he went on thoughtfully. ‘I do not believe in ghosts, but for the last day or so I have been querying my own sanity. That was why I rang Christine. I asked her if it was possible a previous tenant had lost something, because she kept coming round, calling, and I told her I was finding it distracting. I need her to go away! That’s when Christine made this ludicrous suggestion that it might be a ghost. I thought she was joking.’ He grinned. ‘And then,’ he sighed, ‘after I ended the call I found myself, only for a nanosecond, you understand, wondering if it actually was a ghost. Or something to do with my writing – perhaps I had somehow conjured her out of my text.’